The Rising of the Shield Hero total episodes

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The Shield Hero 1 2019-01-09 /en/show/353712/episode/6874097

The Slave Girl 2 2019-01-16 /en/show/353712/episode/6978710

Wave of Catastrophe 3 2019-01-23 /en/show/353712/episode/6983640

Season 1 25

Season 2 13

The series premiered with a two-hour special on January 9 and will run for two consecutive cours (for a total of half a year). Crunchyroll is streaming the series as it airs in Japan, and will also offer an English dub. Funimation will also offer an English dub.

Crunchyroll premiered the first dubbed episode at Crunchyroll Expo on September 3 with guests from the anime.

Takao Abo (Norn9) is directing the anime at Kinema Citrus. Keigo Koyanagi (Regalia: The Three Sacred Stars) is in charge of series composition. Masahiro Suwa (Chaika the Coffin Princess animation director) is adapting Seira Minami's original character designs for animation. Crunchyroll is co-producing the show with Kadokawa.

Dance vocal group MADKID performs the opening theme song "RISE." Chiai Fujikawa performs the ending theme song "Kimi no Namae" (Your Name).

Jun 26, 2019

Veronin

Mixed Feelings

Tate no Yuusha is a thundering disappointment for many fans of the isekai genre. And for those who would not have labeled themselves as such, Tate no Yuusha is a testament to their dislike or indifference, being yet another mediocre, soulless title lurching and tossing throughout a tired genre that is swiftly approaching its death throes. In truth, Tate no Yuusha doesn't please much of anybody.

If there is a reason Tate no Yuusha ever stood out in the first place, it is because of the protagonist and the appalling situation he is soon forced into. Though isekai anime taking a turn for the dark ... are hardly rare, the abject betrayal Naofumi faces is not the treatment one would expect for someone abducted from their world and supposedly re-branded a "hero". The corrupt, contemptible society he is forced to fight for is not what you might anticipate from a genre where the setting— the fantasy— is meant to be an escape from the monotony of the real world. Instead, it turns out things in Naofumi's new world may actually be far worse than they ever were in his old one. A fantasy turned nightmare.

The whole 'twist', I suppose— if you could call it that— was a success in the eyes of many. It turned another forgettable, run-of-the-mill anime into something a bit more engaging, and gave many a reason for the viewer to empathise with Naofumi, through joining in his hatred for society and his potential quest for revenge. Whether these themes were ever fully realised, or even handled well, may well be a different story entirely.

See, Tate no Yuusha never actually takes things further than 'corruption sucks' and 'I'm mad— grr, watch my flames of anger.' The king is inherently evil because of a small grudge. Myne is verminous scum merely because... wait, there is no actual reason. Motoyasu, the spear hero, is a gullible idiot who likes to womanise and that is all there is behind his punch-able little face. Raphtalia is a benevolent mary sue who will not utter or even think a bad thought, her almost immediately (and incomprehensibly) falling in love with Naofumi, thus existing as waifu material for those who like to rescue their damsels from distress. Filo is pure fodder for lolicons and a relentless annoyance for anyone who is not. The list goes on. The only one who still has potential is the Queen, but considering the path the show has trodden thus far, it would be illogical to assume a second season would fare her any better. Tate no Yuusha's characters, though they may initially show promise, are quickly cast aside and made merely to be fanservice or vehicles to drive Naofumi's hatred along, however the writer's whims may fancy.

Oh, you wanted to see the anime tackle issues surrounding the slave trade, and Naofumi's moral dilemma of having taken part in an evil system yet saved someone as a direct result of it? Sorry - I have disappointing news. Did you want to see the politics, heck, even geography of the world explored with more than two lines of dialogue? Nope. Not here. Everything in Tate no Yuusha is surface level. It has the facade of maturity, but in reality is about as mature as a 1999 Slipknot album.

Any fight scene, no matter how overwhelming and powerful the opponent, can, and will, be prematurely ended by Naofumi's anger turning him Super Saiyan. Whereas anime like JoJo will carefully construct the fights to be based on tactics and cleverness, Tate no Yuusha presents nothing except power levels. You can fast-forward through any climactic fight scene and have lost little to nothing of value, as all you ever need to know is that Naofumi got angry and won. Sure, there is a degree of self-awareness throughout the show, with characters remarking on how this power is essentially him "cheating". But when Naofumi attributes all his success to hard work and yet wins merely because of said mysterious power randomly appearing at the most convenient time— essentially a deus ex machina— you have to wonder what the hell he is even talking about.

If all you ever wanted to see was Naofumi take revenge against those who wronged him, then, I am sorry to say, but even that will lead you to much disappointment. On numerous occasions, when he is on the cusp of enacting his long-sought revenge, he takes the high road and proselytizes about how killing a bad person makes you just as bad as them, or whatever— the usual tripe you hear from lame, holier-than-thou anime protagonists. Since when was Naofumi ever supposed to be an idealistic person? Hadn't he lost all his faith in society, or even in morality itself after what he had experienced? Not only does this betray fans of the first several episodes, but it makes his character an inconsistent and incomprehensible mess. He plays hero when it is supposed to sound cool, and villain when it is convenient for him. By the time there actually is some sort of retribution for those who wronged him, it is too little too late, a thumbs-up, an "okay, cool" rather than anything deserving of applause. Tate no Yuusha surely and steadily loses its steam as the episodes blindly trudge by, and once its primary theme is lazily cast aside, there is no reason to care about what happens to a world where saving the day and being a 'hero' never even meant anything in the first place.

So there you go. Another trite isekai anime, popular mostly for its gimmicky nature, masquerading itself as mature merely because it has themes that are darker than is usual. Those who aren't fans of the genre will most likely have trusted their instincts and avoided this show, anyway, but for those who sit on the fence, and even for those who generally enjoy these sorts of shows, there is not much to be gained from Tate no Yuusha's feckless affairs. It makes me miss the flawed but ambitious Re:Zero, and Re:Zero is not an anime I had really imagined myself missing all that much.

And now I'm all out of words because I realise the next one of these— Arifureta— is down the corner, just a week's time away, with a premise that is almost word-for-word copy-paste of what is found in Tate no Yuusha.

It just doesn't end.

Reviewer’s Rating: 5

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Jun 26, 2019

RebelPanda

Not Recommended

Welcome to Shield Art Online, the latest popular trapped-in-a-video-game light novel adaptation. You've seen this show a dozen times before, but this is the most degenerate one so far. Not only is this dogshit a shameless loli-harem, but it is also a slavery harem, a power fantasy, and 100% incel approved.

Do people actually think The Rising of the Shield Hero is above other isekai harem fodder? Naofumi is yet again another blank slate protagonist who builds his harem by "saving" a bunch of lolis. Rather than developing any of them, the show just adds a new loli to avoid writing compelling characters. Naofumi is a ... nobody otaku who stays at his home all day⁠⁠—with perfect hair for some reason⁠⁠—then he gets sent to another world in the painful 45-minute first episode. Why is he there? To save some video game fantasy world from being destroyed! Why did they choose him? Who cares! The writers didn't! Once he arrives, he notices a shield is stuck to his arm, not cool. Naofumi finds three more boring guys who were also sent to this world to help save it. The other heroes have much cooler weapons like a spear, a bow, and a sword.

Naofumi is looked down on for being so lame and getting the worst weapon. It's kind of hilarious to watch them crap on him, but it has sinister implications. One of the heroes accuses Naofumi of being a criminal because he owns slaves; he defends himself by saying it's okay because, in the fantasy world, slavery is legal. Like any sensible person, the hero tells him that he should follow civilized Japanese society's laws. The whole scene is frighteningly framed as if Naofumi is correct and the hero is the villain (but he's actually right). It's a distasteful moment, but you'll soon realize Naofumi prides himself on being a complete asshole. At every turn, he exploits, enslaves, or swindles innocent people.

This is one of those shows where EVERYONE shits on the weak protagonist except his harem, but watch out because he's going to become a badass! They act like he will be a weakling, but of course, his defensive skills are just overpowered attack skills in disguise. Right from the very beginning, it's obvious Naofumi will get everything fa harem protagonist deserves. Magic powers that defy logic, waifus to fight over him, and more money than he'll ever be able to spend.

All of this sounds great for our plucky personality-less main character, but reaching the ultimate isekai protagonist status would prove to be challenging. No one wants to join the lame Shield Hero's party. Fortunately for him, there is someone who volunteers! Malty, the princess of the kingdom that summoned the four heroes, offers her help. Is it too good to be true? No! He's getting the woman he deserves! ...Oh no. Then Malty falsely accuses him of rape, and she steals all his stuff. Then she ditches him for the spear hero, a cool guy who everyone loves. Anyone with a functioning brain can see this 'twist' coming from a mile away. This petty conflict reveals the author's nihilistic insecurity; The fear that if a beautiful woman loves you, she must be secretly trying to manipulate you. I understand the author. All of us have experienced rejection, and this is a fantasy for disillusioned young men. Yes, I am calling the author a man. Many people seem to believe the author's a woman, so what? For those new to the internet, the incel (involuntarily celibate) community is known for misogyny, self-loathing, violent rhetoric, and hatred toward relationships. Since its inception, the community has generated mass murderers, rapists, and dozens of suicides. Even if Shield Hero was written by a woman, it's still garbage.

Naofumi is exiled, stripped of his money, and his reputation is tarnished. This is the stage of inceldom known as the red pill: He accepts that he will be alone because society misunderstands him. No one will ever love him, and if they claim they do, they are lying. Nothing is his fault; he is unable to fix his life. Similar to the toxic red-pill rhetoric, you can poke holes in this logic; Naofumi is an OK-looking guy, I'd fuck if he wasn't a personified plank of wood. There are plenty of ex-cons getting laid every day. A real justice system will have a fair trial in a court that practices innocent until proven guilty, not vice versa. The author bends logic, so the court trial is totally unrealistic, and everyone comically hates him. It's unintentionally hilarious.

Then, Naofumi takes the black pill: If you feel abandoned by society, why not seek revenge? He vows to seek revenge on Malty in the most brutal way possible. I'm not trying to demonize the author; I am condemning the ideologies he promotes. The black pill's inevitable state is known as LDR (Lie Down and Rot), which is as evil as it sounds. The black pill is a toxic trash heap of profoundly ill men worsening each other's depression and cultivating their anger towards women. They share what's called sui-fuel⁠—images and stories to convince themselves to commit suicide. Looking at these images is like dousing a cut with hand sanitizer, not unlike watching Naofumi being punished unjustly. Malty, the King, and the three heroes are the villains, except they are never given motivations or any character depth. Malty was evil for the sake of being evil—she a plot device to fuel the revenge fantasy. She exists to be hated and motivate Naofumi to seek revenge. He never questions why she did what she did.

There's no subtlety, ambiguity, or nuance to this message, making for a very dull anime. For most of the show, the conflict is stagnant. Naofumi solves trivial problems to grind for XP (which does not matter at all in the end), then when the conflict is addressed, the execution is very underwhelming. There's no satisfaction to be had from the revenge plot. Unless you love torture porn—complete with women suffering, boob shots, and ahegao faces—then you'll be disappointed. The author grows tired of Shield Hero's plotlines like an impatient child; he rewrites its plot, setting, and conflicts at the drop of a hat. Naofumi strolls down to the neighborhood slave market full of despair to pick up a new party member and potential love interest. I do not need to explain why owning another person is wrong. Half of the anime community turned a blind eye to slavery—one of the most amoral and depraved crimes. They ignored it because the girl Naofumi bought was a cute tanuki. In the context of the story, the inclusion of slavery is a pointless addition that serves nothing but degenerate fetishistic fantasies. The prominent theme of slavery in Shield Hero affirms the incel ideology known as "The Redistribution of Sex." They believe men should be legally assigned a woman against their will.

The second episode is aptly titled "The Slave Girl," as if it was a confession of guilt from the show's producer. Naofumi picks up a cute raccoon girl, a battered slave. Anyone who praised Shield Hero early on couldn't put into words why other than "cute raccoon girl" and "Naofumi reminds me of myself." Wow, a slave owner with no personality is just so relatable. After episode five, the slave girl's personality stopped developing altogether. Naofumi named her Raphtalia, then he trained her by using the slavery game mechanic—he shocked her whenever she refused his orders. Like any great father, he grooms her to become a killing machine. By the end of the second episode, she is suddenly a grown adult woman after a few in-game days pass. OKAY. Every in-game level adds a year to her physical appearance. However, she looks no older than 21 despite her level increasing far beyond that. It's almost like the author wanted to write a pure, child-like girl who looks above the age of consent, despite obviously being unable to consent due to her mental reliance on Naofumi as a slave owner and a father figure. Soon it is apparent that "age" doesn't stop the show from fetishizing its female characters. Raphtalia has a father/daughter relationship with Naofumi, but now that she's older, she becomes a weird sort of love interest. Cross that fetish off the author's checklist. Honestly, it's doubly creepy because he even says she's like his daughter.

Throughout the series, Raphtalia makes romantic advances towards Naofumi, but he acts too braindead to perceive anything as sexual. Their relationship never progresses, and so this show never becomes a romance (thank Christ). When she talks to Naofumi, he could be replaced by a plank of wood, and there would be no difference. She struts her stuff in front of him, wearing a skimpy bathing suit in the very important beach episode, to no response. With the same vacant expression, he comments on how effective the swimsuit will be in combat. Later on, Naofumi buys another slave. This one was an egg. It hatches into a colossal feathery bird named Filo—or rather a little girl, naked upon introduction. Her only purpose in the story is to fight for Naofumi in combat. She also fights for Naofumi's love against Raphtalia and the other waifus. The rest of his harem is underage girls, and Filo is under a year old (although she looks like a toddler). Could this get any more revolting?

The story goes in circles; people accuse the Shield Hero of being a rapist and owning slaves, then the cycle repeats itself over and over. First, it's princess Malty, then it's the King, then it's the church, then all of the cardinal heroes accuse him. These allegations don't ever get to Naofumi because he is more or less a passive protagonist. He is either told to do something, like stopping the waves of chaos to save the world, save helpless villagers, or circumstances push him to do something. He doesn't grow at all from any conflict. The rest of the cast is even worse written than he is. Throughout the story, character motivations are rewritten with no build-up, which makes their previous actions seem nonsensical in retrospect. Powerful weapons, new powers, and incentives are retconned into the story to increase the stakes. The retcons are so stupid they lessen the effect of the action scenes. At the best of times, the fight choreography is average, and it only gets worse. If you love janky, hideous CGI, you will love the action scenes in this show. Later on, low detail CGI is used in any shot Kinema Citrus can shove it into. Guards, intimidating monsters, grand attacks, background characters are all CGI. Any grand action set piece you would expect to be well-animated is hideous CGI. The only thing the visuals have going for them is the character designs, and even those are generic and uninspired. With a drab color palette of browns and faded greens, the background art couldn't be blander. Kinema Citrus is a promising studio with great productions like Made in Abyss; this is a new low for them.

The fantastic composer Kevin Pelkin was brought on by Kinema Citrus again. While Pelkin's soundtrack doesn't live up to the heights of his work on Made in Abyss, it is the best part of the show. The OST is always used to build tension in place of, you know, writing, and to that extent. However, the music consists of calming string instruments and woodwinds, fitting an atmospheric story. The music is not suited to this kind of anime. Forcing the composer to carry the weight of a crappy script just undermines his talent. Pelkin deserves better than this. Both openings were pretty terrible, sorry MADKID. I would say I liked the ending songs if I could remember them, but they were average and forgettable.

The Rising of the Shield Hero is about an asshole who doesn't care about anything but showing everyone how better he is than them. The themes are slavery apologia, misogyny, and women's rights. Never mind, scratch that last one. Everyone hates him, they misunderstand him, they underestimate him. His goal is to prove he is far better than they thought, for them to know how great of a person he is, and to love him.

Flawed people make good characters, and Naofumi is VERY flawed. That's why he's often called an anti-hero. However, his many imperfections are never explored. People judge him, but they don't criticize him. Raphtalia is groomed to respect him; she loves him before even meeting him, there is never any hint of criticism of his treatment of her. She even looks back on him abusing her with nostalgia in later episodes. His misogyny is implied and understandable. However, it is ignored and it never adds any depth to him.

Shield Hero is cliched, predictable, and ugly. Light novel writers churn out stories like Tate no Yuusha no Nariagari all the time. An adaptation of a generic LN is bound to make money, that's why drivel like this exists. Unless you are a fan of wish-fulfillment isekai anime, nothing makes this one worth watching. The archetypal characters do not have enough personality to make this morally bankrupt plot engaging at all. Once the art and writing quality decline far past mediocre, it becomes unremittingly awful. Without a doubt, The Rising of the Shield Hero is the worst anime I have had the misfortune of watching all year.

Reviewer’s Rating: 3

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Jun 26, 2019

HellLyter

Recommended

We've come to a point in the anime industry where isekai anime are immediately judged just for being isekai. Due to the apparent "overuse" and "unoriginality" of the genre, some individuals will make a big deal about it or not even watch an anime at all simply because of the genre, even if the isekai elements have essentially no bearing on the narrative whatsoever, as is the case with The Rising of the Shield Hero. Yes, Shield Hero is an isekai, but don't let that blind you from seeing the true themes and merit of this show. At its core, this is an anime all ... about friendship, perseverance, and what it means to truly be a hero.

*Notice: Updated thoughts at the bottom*

It's also a cleverly disguised loli harem series too. Crazy, right? But I'll save explaining this shocking revelation for later. Oh, the suspense!

I know I just started off by saying not to judge Shield Hero just for being an isekai, but it honestly does have a stereotypical fantasy setting. Heroes are summoned to another world that's suspiciously designed just like a video game with the task of saving the world from monsters. Yeah, I've totally never heard that one before! But what really matters is execution, which Shield Hero completely nails. After starting off quite harmless with everything going fine and dandy for Naofumi, the recently dubbed shield hero, things take a dark turn after one of the most controversial occurrences in modern anime goes down. He gets accused of rape. Because of the current state of our real world society, the false rape allocations against Naofumi by the bitchy princess Malty struck a cord with many people and caused lots of heated debates on the topic. I say keep reality and fiction separate, and I personally think that this was a great way to swiftly introduce the central conflict between Naofumi and basically everyone else. Everyone essentially berates and shames the poor dude, leaving him a little broken on the inside. In the span of a single episode, Malty, the king, and the other three heroes summoned to the world are set up to be extremely hatable characters, and it just works. It's honestly as good of an introduction as you can get in a fantasy series.

What I love the most about Naofumi is how he deals with the crappy lot in life he ended up with. He transforms from a happy go lucky protagonist to a more cynical guy who only seems to care about personal gain, and I feel like this is a pretty realistic shift considering what he's gone through. He even ends up purchasing a demi-human slave! I thought only bad guys did that! This of course is where the anime starts to really get good, because of how great Shield Hero portrays the relationship between Naofumi and his slave raccoon loli Raphtalia. You can tell that Raphtalia has gone through some pretty messed up stuff, which the anime touches on in later episodes. It seems like Naofumi treats her a bit harshly at first, but you can quickly tell that he's actually giving her some tough love and training her to become stronger and to get over her fears. Heck, she even upgrades from a loli to a woman, that's how effective his training is!

And then after Naofumi gets further put down by the kingdom, it's Raphtalia who saves him from completely falling into despair. That's why their relationship is great, because they both help and in some ways even complete each other. Plus it's handled in a completely unconventional way too. You'd think that Naofumi would release Raphtalia from being a slave, but neither of them in fact want that, to the shock of the Spear Hero and others. Of course the writing here can be viewed as dangerous as it seems to present slavery in a positive light, but I think this situation should be kept separate from reality and that the morally grey approach works in the anime's favor. It's little things like this that make Rising of the Shield Hero really stand out.

One thing that could weaken your interest in this anime would be how quickly you get annoyed at the constant degradation of Naofumi, because his defamation continues far after Raphtalia saves him, and is the primary conflict in the anime. This isn't a show about a hero fighting against monsters. No, this is an anime about a man fighting against the people who should be his allies. I've seen people say that they've gotten exasperated over how much Naofumi gets put down, but I'd have to disagree. This anime makes you really dislike characters who shouldn't actually be villains at all, yet are set up like it due to their poor choices and actions. And shouldn't a good antagonist be someone that viewers are meant to despise and root for the protagonist to overcome? Shield Hero does just that, and I think that the central conflict is handled and eventually resolved quite well.

Of course, there's more going on than just that. Throughout his journey Naofumi encounters two more loli party members. Lucky him. The first is Filo, a cleverly named filolial who Naofumi basically raised from birth after purchasing her as an egg. She has two forms. The first is her angel-like loli form, and the second is her super fluffy giant chicken-like beast form. What can I say, she's absolutely adorable in both forms. She does lots of useful things like draw the wagon, beat up cgi monsters, and kick the Spear Hero in his balls. Also, like Raphtalia, Filo develops a strong bond with Naofumi in which they build off of each other to further evolve as characters. Filo also develops a cute rivalry with Raphtalia over Naofumi's affections, which is pretty humorous. The final girl to complete Naofumi's holy loli triad is Melty, the younger sister of Malty and heir to the throne. Because Naofumi has the most hostility towards royalty, his interaction with Melty sets up an interesting dynamic. They gradually learn to trust and rely on each other, and by consistently helping Melty, we can further see just how much of a hero Naofumi really is. Melty also has my favorite character design in the show, and despite being nobility, Melty's cuteness just makes my heart melt.

These characters travel together cleaning up the messes of the other three so called heroes all while being defamed and hunted by the government. Yet despite his annoyance at and mistrust of everyone outside of his party, Naofumi keeps persevering, which is quite admirable. Though you know what I think gives him strength? The lolis. You may have noticed that all three main girls are lolis. "B-But Raphtalia isn't!" Wrong! She may have evolved from her loli body, but she says that she still has the age and mentality of a child. This is a clever technique by the writer to hide the fact that Naofumi has obtained a loli harem. And just like your typical harem, all three girls have a thing for Naofumi and go all blushy blush when they're around him. And just like a harem protagonist, Naofumi seems completely oblivious to their advances. The author knew that he'd be labeled a degenerate for making a loli harem series, so he masqueraded his fantasy as an isekai anime. It's simply brilliant honestly. Or maybe I'm just completely wrong. Yeah, it's probably the latter...but you never know...

Madkid was asked to RISE to the occasion and perform both opening theme songs. To be honest, my FAITH in their ability to deliver quality music wasn't too high since I'm personally not a big fan of their style, but they did a good job here.

Yes, the show does have its share of flaws. For one, I do feel like episode 21 should have been the season finale, since there was a transition of arcs after it, which to me was a pretty odd design choice considering that the anime only had a few more episodes left. Shield Hero definitely has its share of technical issues as well. In some cases character designs and movements just looked a little sloppy. And the cgi used on some of the creatures just didn't look that good.

The Rising of the Shield Hero has a surprisingly decent narrative that touches upon themes that lesser anime in the genre don't even bother to mention. You know, a lot of isekai protagonists tend to act like the three cardinal heroes. They're ecstatic about living in a fantasy world and think everything revolves around them. But Naofumi is different. He keeps getting back up after getting knocked down. He may seem like he takes advantage of others, but he always has everyone's best interests at heart. He genuinely cares about his party. And even if he doesn't get any appreciation for his good deeds, he still always does the right thing. And that's what makes this shield bro a true hero...

*Edit with current thoughts*

...except I don't think that anymore at all haha. Naofumi can go join the ranks of hundreds of other bland isekai protagonists.

I revisited this series and wow, I have to say I'm disappointed. I don't usually do this, but I have to decrease my initial score of the show and disagree with a lot of what I wrote above. Naofumi's character is actually quite bland and he never receives useful development. The revenge plot is really mediocre, hollow, and relies solely on the "shock value" and "big moments". The way that slavery is handled is atrocious, and I'm kinda disappointed in myself for even attempting to defend its usage and execution as adding "depth" to the anime. Yes, it's just fiction, but that doesn't excuse trying to rationalize it as acceptable. The female characters are also painstakingly one note and dedicated to Naofumi with nary a shard of originality. Plus the 2nd half of the anime is a complete snooze fest. All around a mediocre experience.

I'm going to keep what I wrote above since I don't believe in changing one's work. It's how I felt then, so I have to deal with it. Just know that it's a lot more positive of a take then how I feel about Shield Hero now. I'd say the show is a 5/10 right now for me personally. Hope you're still able to enjoy it though!

Reviewer’s Rating: 7

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Is Shield Hero season 2 out?

How many episodes will rise of the shield hero have?

Is Shield Hero season 3 confirmed?

Will Shield Hero season 2 have 24 episodes?