Why is it called Unchained Melody?

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“Unchained Melody” is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the little-known prison film Unchained (January 1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers. According to the song’s publishing administrator, over 1,500 recordings of “Unchained Melody” have been made by more than 670 artists, in multiple languages.

In 1955, three versions of the song (by Les Baxter, Al Hibbler, and Roy Hamilton) charted in the Billboard top 10 in the United States, and four versions (by Al Hibbler, Les Baxter, Jimmy Young, and Liberace) appeared in the top 20 in the United Kingdom simultaneously, a record for any song. The song continued to chart in the 21st century, and it was the only song to reach number one with four different recordings in the UK until it was joined by Band Aid 30’s “Do They Know It’s Christmas?” in 2014.

Of the hundreds of recordings made, the Righteous Brothers’ version in July 1965, with a solo by Bobby Hatfield, became the jukebox standard after its release. Hatfield changed the melody in the final verse and many subsequent covers of the song are based on his version. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI’s 100 Years…100 Songs survey of top tunes in American cinema.

The Songwriters Hall of Fame's ongoing mission is to celebrate and honor the contributions and legacies of songwriters of all genres of music while developing and nurturing the next generation of songwriters through Master Sessions, songwriting craft forums, scholarships and digital initiatives.

So the romantic teenager wrote about his need and his longing and then went on with his life, a life full of real and enduring relationships, engaging work, travel and recognition for accomplishments other than song writing. But all along, there was an unchained melody running through his life.   Cookie, it seemed, had married someone else.

"The way I felt about Cookie was over in my mind when I heard that she had married the best catch in town," he said, adding, "I read about it in the papers. It was hard." And it wasn�t the girl, Mary Louise "Cookie" Pierce, that haunted his life, it was the song.

The romantic boy became a romantic man and in 1958, when he saw Bernice, the woman who would become his wife, for the first time across a room, he fell in love with her.  "I knew she was the girl for me," he said.  He was right about that.  They have been married for 45 years and have three children and six grandchildren.  Whether Stirrat was right about not going into song writing as a profession is anyone�s guess. He made the decision early.

"I asked Alex North (who wrote the music for the song) if �Unchained Melody� was going to be a hit.   Alex said it was going to be a big hit. He wanted me to team up with him to write lyrics, but I took the raving with a grain of salt and thought it was no way to earn a living. I wanted to write that song for two reasons, I needed money for college and I wanted to get that girl."  Another reason that Stirrat did not pursue his interest in song writing was his mother�s displeasure.  Stirrat, whose mother was a music teacher of a classical bent, said she was furious when she heard he had written a jazz song.

"The director of Yaddo (Yaddo�s Triuna Arts of the Theatre School in Lake George, N.Y.) said they wanted to put an article in the local paper. Mother said no," he recalled.  Thirty-nine years ago, in 1964, Stirrat reconnected with Cookie, who is deceased now.  She was married for the second time and living in Fayettesville, Tenn.  Stirrat got in touch with her and along with his wife and two of his three children, visited and stayed at her house."She was musical too.   That�s what we had in common," he said.

Stirrat wrote the words to "Unchained Melody" in 1936 when he was on a summer scholarship at Yaddo�s Triuna Arts of the Theatre School. It was there that he met North, who composed the music.   North, a composer and accompanist for a modern dancer at the time, was on the staff.

"I pestered him and pestered him to compose a piano copy for me. Finally, he told me that he had music for a song.  Basically, I sang the words and he guided me with what he wanted for the music. You might say I sang the song under his guidance," Stirrat said.

When he and North were working on the song, Stirrat hoped that Bing Crosby would sing it since he was a neighbor.  "I�d spoken to Bing Crosby�s wife so I thought it was a good connection. I styled it for him, you know, his songs had a dip at the end," the lyricist said.   When that plan did not work out, Stirrat told North that he wanted Duke Ellington�s orchestra to record it.  It took 19 years, but they finally got Al Hibbler, who been Ellington�s vocalist, to record the song, Stirrat said.

Disc jockey Dave "The Rave" Kapulsky, whose [recent] national debut of his Relics and Rarities show on XM Satellite Radio, Channel 6, the 1960s channel, said the song first appeared in the prison-farm movie "Unchained" in 1955.

"It was a Top 30 charted tune by four artists when it was first released in 1955.   Al Hibbler is believed to have been the first to sing the song. The song has charted in the Top 100, 10 different times between 1955 and 1990.  It was last charted in 1990 by the Righteous Brothers as the song was featured in the Demi Moore and Patrick Swayze film �Ghost.�  My quote on the song is, �Unchained Melody� should be called the �Undated Melody.� The song is timeless. It�s a song that knows no death.   A classic in the true sense. It�s a safe bet that �Unchained Melody� will re-emerge once again in the current decade," Kapulsky said.

Stirrat has received some royalties from his work, but not nearly all he believes he is owed, and most of it has been used to pay lawyers in a legal battle over authorship.   Although he held a copyright, the song was not registered until 1982 after a legal battle with CBS, the corporation that owned the publishing company that owned the song.  MPL, owned by Paul McCartney, now owns the publishing house formerly owned by CBS, Stirrat said.

"CBS gave it to him, to do an album," he said.  Stirrat is still fighting for past royalties, but, he added, "I�m doing very well with MPL. They do everything for me."  He explained that the issue of authorship was complicated by the fact there were five men claiming to be Hy Zaret!

"I never met anybody that didn�t believe I wrote that song, but another Hy Zaret who was a close friend of the lawyer that was representing the publisher, was collecting royalties," he said.   Stirrat said he had given up on the song when nothing happened with it between 1936 and 1955.   "In 1941, I signed documents authorizing Alex to use the song in a motion picture, so in 1955 when it was used in �Unchained,� I didn�t even know about it," he said.

Alex North went on to become successful scoring Hollywood movies.  "Over his lifetime, North had been nominated about 13 times for an Oscar. They finally gave him one, an honorary one," Stirrat said.

"When the Righteous Brothers came out with their version (in 1965) I wasn�t even looking for royalties.   In 1979, I joined the Song Writers Guild, then I collected royalties. I joined them to collect royalties.  I just told them my name and what I�d written.  At that time, there were two albums with my song on them, one by Elvis Presley and another by Willie Nelson," he said.

Many people think Bobby Hatfield�s version (3.4 Mb .mp3) (from the  Righteous Brothers) version is the best, but Stirrat said Presley�s version is the one he likes.  "Elvis� recording was the best since 1955. I didn�t like Hatfield�s version because he jazzed it up with an, �oh yeah," he said  (Hatfield, 63,  died November 5th, 2003).

Here are the Lyrics and Chords to their timeless version, as used in the movie "Ghost."

Stirrat said there is some argument over what was the top song of the 20th century.  "One radio station said it�s �Unchained Melody.�  Billboard magazine says there is no record. And ASCAP (the American Society of Composers, Authors and Publishers) says that "Unchained Melody" was the top love song of the 1950s and top song of the 1990s," he said.

The lyrics were inspired by young, unrequited love at an age when time goes by "so slowly/And time can do so much."  Regardless of who says what about the charts, the song is timeless and continues to inspire vocalists.  It has been No. 1 on the charts four times in Great Britain and was recently named Song of the Year there.

Although Stirrat has written other songs, he never pursued his interest in song writing. Over his long career in electronics engineering he has been recognized in a number of Who�s Who publications.   "Unchained Melody" has been like a river running through his busy and productive life, sighing, "Wait for me, wait for me..."

Another unanswered puzzle is when - and by whom - the name Unchained Melody was actually coined.   It seems quite reasonable that the 1955 movie Unchained - scored by North - would take as its theme the unnamed song to which North had purchased the [movie] rights [only] so many years before.   I believe the song was nameless until that time in 1955 when Alex North christened it the "Unchained Melody"

IMHO, the very best-ever recording (1.4 Mb MP3) of Unchained Melody was by the late John Gary, a tenor of stellar proportion that somehow missed the star of fame.  It was John's version that The Blue Velvets played on every show.

The most inspiring version of Unchained Melody has to be this one (9 Mb .mp3) by the incredible Denver vocal group, Il Divo.

I have also archived more information about the movie "Unchained".   It was never highly rated, and disappeared almost immediately from everyone's memory.   Yet we must all be thankful for its brief sojourn with us, for the legacy of Unchained Melody is surely as great a gift to lovers as anything ever crooned by Johnny Mathis.

Some very interesting historical info on  Al Hibbler  (died 2001) has also been archived by me.

The purpose of this archive is not to steal, but rather to preserve.  Over the last few years the internet version of "Here Today, Gone Tomorrow" has become all too common.   This archive is intended to act as a backup resource in the event the original disappears.    Jump to it here

Did Elvis ever sing Unchained Melody?

How did Righteous Brothers get their name?

Who really wrote Unchained Melody?

How many versions of Unchained Melody are there?