Composition with large red plane Yellow, Black gray and blue Museum

In the 1920s, Mondrian began to create the definitive abstract paintings for which he is best known. He limited his palette to white, black, gray, and the three primary colors, with the composition constructed from thick, black horizontal and vertical lines that delineated the outlines of the various rectangles of color or reserve. The simplification of the pictorial elements was essential for Mondrian's creation of a new abstract art, distinct from Cubism and Futurism. The assorted blocks of color and lines of differing width create rhythms that ebb and flow across the surface of the canvas, echoing the varied rhythm of modern life. The composition is asymmetrical, as in all of his mature paintings, with one large dominant block of color, here red, balanced by distribution of the smaller blocks of yellow, blue gray, and white around it. This style has been quoted by many artists and designers in all aspects of culture since the 1920s.

Piet Mondrian • Painting, 1921, 95.7×95.1 cm

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About the artwork

Art form: Painting

Style of art: Abstractionism

Technique: Oil

Materials: Canvas

Date of creation: 1921

Size: 95.7×95.1 cm

Location: The Hague municipal Museum, The Hague

Artwork in selections: 13 selections

Exhibitions history

The Opening Of The Mondrian. Amsterdam, Paris, London, New York

June 3 − September 24, 2017

The Hague municipal Museum, Stadhouderslaan 41, 2517

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Comments

Mondrian's mature works embody his search for the visual expression of universal principles. He went from painting "natural reality" to "abstract reality," which more clearly conveyed the essential relationships that underlie all things. For him, linear geometry and primary color give "a far more intense expression than natural form and color." He wrote: "All things are parts of a whole. Everything is constituted by relation and reciprocity. Color exists only through another color, dimension is defined by "another" dimension. This is why I say that relation is the principal thing."

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Composition with Large Red Plane, Yellow, Black, Gray and Blue

Piet Mondrian

Composition with Large Red Plane, Yellow, Black, Gray and Blue

Piet Mondrian
  • Date: 1921
  • Style: Neoplasticism
  • Genre: abstract
  • Order Oil Painting
    reproduction

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Piet Mondrian Famous works

  • At Work / On the Land • 1898

  • Wood with Beech Trees • 1899

  • Mill of Heeswijk Sun • 1904

  • Mill in the evening • 1905

  • Geinrust Farm, Compositional Study • 1906

  • Stammer Mill with Streaked Sky • 1905-1906

  • Mill in Sunlight: The Winkel Mill • 1908

  • View from the Dunes with Beach and Piers • 1909

  • Avond (Evening): The Red Tree • 1908-1910

  • The Gray Tree • 1911

  • Composition with Oval in Color Planes II • 1914

  • Composition in Color A • 1917

  • Composition with Gray and Light Brown • 1918

  • Composition with Grid IX • 1919

  • Tableau I • 1921

  • Composition A • 1923

  • Composition No.10 • 1939-1942

  • New York City I • 1942

  • Broadway Boogie Woogie • 1942-1943

  • Place de la Concorde • 1938-1943

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    Where is composition with large red plane yellow black gray and blue?

    Dallas Museum of Art. File:Piet Mondrian - Composition with Large Blue Plane, Red, Black, Yellow, and Gray - 1984.200. FA - Dallas Museum of Art.

    What art style is Mondrian's Composition of Red yellow and Blue?

    Piet Mondrian painted “Composition with Red Blue and Yellow” in 1930. It marks a subtle turning point in the evolution of his distinctive, singular style of painting, which he called Neo-Plasticism.

    Who created the Composition with yellow Red black Blue and GREY what art movement does it represent?

    In this article, we explore one of Mondrian's later oil paintings from around 1930, Composition with Red, Blue and Yellow. ... Composition with Red, Blue and Yellow (c. 1930) by Piet Mondrian in Context..

    What does composition with yellow blue and red represent?

    Mondrian's Composition with Red, Blue, and Yellow demonstrates his commitment to relational opposites, asymmetry, and pure planes of color. Mondrian composed this painting as a harmony of contrasts that signify both balance and the tension of dynamic forces.

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